Ernest Dowson, 1867-1900 English Poet

Dowson was born in Kent in England, educated at Oxford though he left without taking a degree. He joined the Rhymer's club and contributed poems to The Yellow Book and The Savoy. In 1891 he met Adelaide Foltinowicz, a restaurateur's daughter, then aged 12 and she became a symbol of love and innocence some of his verse. He courted her for 2 years but when she came of age she married a waiter who worked in her father's restaurant! His parents committed suicide within a few months of each other in 1895 and afterwards he wandered aimlessly between England, France and Ireland. He was a friend of W B Yeats, who described him as 'timid, silent and a little melancholy'. He died of alcoholism in 1900 at the early age of 33.

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The first offering here is probably his most famous work. The latin title translates as:

'I am no more the man I was in the reign of the Good Cynara'

It reflects a lover trying to put aside his feelings for a former lover but failing.



Non Sum Qualis eram Bonae Sub Regno Cynarae
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Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.

All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.

I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.

I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.

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This second piece is probably the other main poem that Dowson is remembered for. It reflects the times he was writing in; the decadent period in English literary history. The motto at the head of the poem being counterbalanced by "The Days of Wine and Roses" which are to make up the brief sum of life.


Vitae Summa Brevis Spem Nos Vetat Incohare Longam
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(The brief sum of life forbids us the hope of enduring long - Horace)


They are not long, the weeping and the laughter,
Love and desire and hate:
I think they have no portion in us after
We pass the gate.

They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.

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Inspired by his conversion to Catholicism, there are clear hints of his envy of the Nun's way of life and his weariness with his own lifestyle. The days of wine and roses from the above poem finds an echo in the final stanza of this.


Nuns of the Perpetual Adoration
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Calm, sad, secure; behind high convent walls,
These watch the sacred lamp, these watch and pray:
And it is one with them when evening falls,
And one with them the cold return of day.

These heed not time; their nights and days they make
Into a long returning rosary,
Whereon their lives are threaded for Christ's sake;
Meekness and vigilance and chastity.

A vowed patrol, in silent companies,
Life-long they keep before the living Christ.
In the dim church, their prayers and penances
Are fragrant incense to the Sacrificed.

Outside, the world is wild and passionate;
Man's weary laughter and his sick despair
Entreat at their impenetrable gate:
They heed no voices in their dream of prayer.

They saw the glory of the world displayed;
They saw the bitter of it, and the sweet;
They knew the roses of the world should fade,
And be trod under by the hurrying feet.

Therefore they rather put away desire,
And crossed their hands and came to sanctuary
And veiled their heads and put on coarse attire:
Because their comeliness was vanity.

And there they rest; they have serene insight
Of the illuminating dawn to be:
Mary's sweet Star dispels for them the night,
The proper darkness of humanity.

Calm, sad, secure; with faces worn and mild:
Surely their choice of vigil is the best?
Yea! for our roses fade, the world is wild;
But there, beside the altar, there is rest.

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Amor Profanus
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Beyond the pale of memory,
In some mysterious dusky grove;
A place of shadows utterly,
Where never coos the turtle-dove,
A world forgotten of the sun:
I dreamed we met when day was done,
And marvelled at our ancient love.

Met there by chance, long kept apart,
We wandered through the darkling glades;
And that old language of the heart
We sought to speak: alas! poor shades!
Over our pallid lips had run
The waters of oblivion,
Which crown all loves of men or maids.

In vain we stammered: from afar
Our old desire shone cold and dead:
That time was distant as a star,
When eyes were bright and lips were red.
And still we went with downcast eye
And no delight in being nigh,
Poor shadows most uncomforted.

Ah, Lalage! while life is ours,
Hoard not thy beauty rose and white,
But pluck the pretty fleeing flowers
That deck our little path of light:
For all too soon we twain shall tread
The bitter pastures of the dead:
Estranged, sad spectres of the night.

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Jadis
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Erewhile, before the world was old,
When violets grew and celandine,
In Cupid's train we were enrolled:
Erewhile!
Your little hands were clasped in mine,
Your head all ruddy and sun-gold
Lay on my breast which was your shrine,
And all the tale of love was told:
Ah, God, that sweet things should decline,
And fires fade out which were not cold,
Erewhile.



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